by Gemma Flora Ortwerth

A dark, textured background with shades of black, brown, and subtle orange distressing serves as the backdrop for bold, uppercase serif text in a pale, weathered white font that reads: “I USED TO BELIEVE.” The design evokes a gritty, vintage, and somber tone, suggesting disillusionment or lost faith.
I used to believe people were good—
naïve, maybe, but I held it like a flame in my chest.
Now all I see are fists clenched, mouths shouting,
voices raised not in protest but in cruelty,
not to understand, but to silence.
They’d rather force birth
than allow choice.
Rather punish difference
than embrace complexity.
So no—I didn’t have faith when the votes came in.
I predicted the fall.
It’s a damn shame.
We failed—
or maybe we never passed the test to begin with.
The orange man screams “rigged”
while his cult bends knees and morals,
his every sentence soaked in venom.
A toddler with nuclear codes
who’s never stepped inside a thrift store
or met the people he exiles,
whose laws turn lives into rubble.
This was never a great nation.
Just a broken foundation
patched with myths and blood.
And now that myth walks in flesh—
an abomination of greed and ego
that may yet destroy us all.
This isn’t a slippery slope.
It’s a landslide.
A gut-punch.
The air sucked from the room
while our rights are auctioned off
to bigots in suits and tech tycoons
who mock our very existence.
We are not safe.
Not trans people.
Not womb-bearing people.
Not immigrants, disabled, poor, or queer.
Still—
I’m here.
And if you’re here too,
call 988.
Because even now,
even in this void,
it is still a miracle
to exist
on a spinning rock
in a brutal galaxy
and say,
“I’m not done fighting yet.”


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